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The Piano Man

“…'Cause he knows that it's me they've been comin' to see to forget about life for a while”

—Billy Joel, “The Piano Man”

Driving home, anxious Tuesday, I hear      

“The Piano Man.” Those iconic notes,            

the blistering memories—a man I loved and lost

 

at seventeen, still a girl.

Rounding one curve

and then another: anxiety revs.

 

Recently, I heard Joel sing the first

song he’d composed in seventeen years.

Seventeen years!

 

Of course, we all had our questions.

Why had he gone silent so long?

Had he nothing to say? Was it depression?

 

Yet my life, far smaller than his,

winds down and down—and I seem

to desire the ever smaller.

 

In my own anonymous way, to take silent.

To shrink altogether from spotlights

because they are all altogether broken.

 

Spotlight limelight platform radar.

To shuck the resume

the look-at-me;

 

to covet the role of things

invisibly impactful, like

microbes minerals mathematics.

 

Don’t get me wrong, I am glad the piano man

let the tunes in his head

translate, once again, to piano keys.

 

And here, again, I write. But God save me

from self-promotion and hustle, the soul-numbing

tolls on bridges to somewhere, as in

 

“you’re gonna get there someday.”

Tricia Gates Brown’s poetry has appeared in several magazines and journals, and her debut novel Wren won a 2022 Independent Publishers Award Bronze Medal. Her first poetry collection is forthcoming from Fernwood Press in early 2025. By trade, she is an editor and co-writer. For fun, she makes art!

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