“…'Cause he knows that it's me they've been comin' to see to forget about life for a while”
—Billy Joel, “The Piano Man”
Driving home, anxious Tuesday, I hear
“The Piano Man.” Those iconic notes,
the blistering memories—a man I loved and lost
at seventeen, still a girl.
Rounding one curve
and then another: anxiety revs.
Recently, I heard Joel sing the first
song he’d composed in seventeen years.
Seventeen years!
Of course, we all had our questions.
Why had he gone silent so long?
Had he nothing to say? Was it depression?
Yet my life, far smaller than his,
winds down and down—and I seem
to desire the ever smaller.
In my own anonymous way, to take silent.
To shrink altogether from spotlights
because they are all altogether broken.
Spotlight limelight platform radar.
To shuck the resume
the look-at-me;
to covet the role of things
invisibly impactful, like
microbes minerals mathematics.
Don’t get me wrong, I am glad the piano man
let the tunes in his head
translate, once again, to piano keys.
And here, again, I write. But God save me
from self-promotion and hustle, the soul-numbing
tolls on bridges to somewhere, as in
“you’re gonna get there someday.”
Tricia Gates Brown’s poetry has appeared in several magazines and journals, and her debut novel Wren won a 2022 Independent Publishers Award Bronze Medal. Her first poetry collection is forthcoming from Fernwood Press in early 2025. By trade, she is an editor and co-writer. For fun, she makes art!